ACTORS AS ART SCHOOL MODELS

Haw! I'm just kidding with the picture above, but it does serve to make my point...that female models dominate art school classes, and not just for the obvious reason. 

Female silhouettes follow lyrical, curved lines that begin at the head and follow through to the feet. They're beautiful, no doubt about it. 

Men, on the other hand, are lumpy. The parts just don't fit together.  Let's face it, realistic men are not as fun to draw as realistic women.

If more evidence is needed I refer you to the comparison above.

Now don't get me wrong. Art and artists need men. If you could boil all of art down to just one principal it would be the combination of force and grace in the same object or situation. We men are half that combination so we have an earned place at the table. Even so, the problem remains....how do we make men more fun to draw?

My own solution is acting. I picture gifted amateur actor-models working in twos, one male and one female. A story outline dominates the session.

It could be a comedy...

..or a drama.

Or some combination of the two.

A script is okay, but I picture improvised situations based on a loose outline, spoken dialogue only if it feels right. A whole story or fragments of different stories. The important thing is that whatever fragments are used,  they should lend themselves to visuals that are fun to act and fun to draw.

It would be fun to alternate comedy with drama, or solos with match-ups. I could see a male actor doing a solo variation a bit like Chris Crocker's "Leave Britany Alone!" Of course you'd have to change the timing to freeze some of the poses and give the class time to draw.

I could see a solo woman doing a sketch like Bette Davis's "I wipe my mouth" from "Of Human Bondage."

Probably the sessions I described would work best with draped models. I'm not sure amateurs could act with their clothes off. That's no problem because I'm not trying to replace classical nude model drawing with these actor sessions. Students need both.

Is that all? Mmmm...no, wait a minute, I forgot something: a good homework assignment for a session like this one is to have the students draw up one or two carefully finished drawings based on the sketches done in class.

I'm a cartoonist so I see this assignment done in a cartoon style like the one above.

  Lots of styles would work.

BTW: that's not my drawing above. I wish I'd copied down the artist's name.

FUNNY FASHION MODEL WALKS

 For the animators out there, I thought I'd put up some funny walk reference. In this case it's fashion models who fall on the runway. Sometimes the fall is the funny thing, more often it's the walk on wobbly feet that precedes the fall.



I feel sorry for these girls. I'll bet models who fall don't get asked back. Add to that the impossibly high heeled shoes, the rule against looking down, and the thin and slippery Mylar walkways. You can fall through those runways and it's just like falling into a manhole. Add to that all the trouble it takes just to get the gigs and a diet that consists of carrot sticks and coffee. Yikes!

[HAW! I told this to Mike and he disdainfully said something like, "Oh, those poor, poor supermodels who get outrageous sums of money because they have the rare skill of being able to walk and turn around. Gee, I sure feel so sorry for them!" Hmmmm. The man lacks the proper respect.]



Even without accidents model walks are really funny. They practice walking "fierce."



Here's an interesting video. The coach is on the right and the student is on the left. The student has all the moves down, but she lacks the casual elegance of the coach.  I wonder if that quality is teachable. Maybe you have to be born with it.

Somewhere in the videos a model talks about the way to do big strides in ultra high-heels. The trick is to avoid putting weight on the heel, to lift the leg high, and to have all parts of the shoe touch the ground at the same time. Wait a minute...that describes a march...only the march can't be allowed to look like a march. Disguising it takes a lot of practice.

Not only that, but a flat foot and a straight up body implies that the model's walk isn't a controlled fall like they describe in animation class. The forward leg has to use muscle power to drag the rest of the body forward, and somehow the model has to make this look effortless. Geez! It sounds like a tough life.

Right now funny model walks are the domain of a small number of skinny women, but you have to wonder if it'll become more general someday. The future may not value the casual look the way we do today.